chicago legend jamal moss makes a return to sequencias with two tracks of overdriven angularity in his most jacking incarnation, the sun god. if you know jamal, then you are aware that no other artist has informed electronic rhythm-based music quite like he has. the current crop of raw, low-fi house and techno owes a large share of its existence to his releases under various monikers: hieroglyphic being, ibm, and as one half of africans with mainframes.

house of black lanterns is the brand new project from dylan richards, formerly known as king cannibal (ninja tune) and zilla (warp). retaining the earlier influence of dj krusts sprawling drum & bass soundscapes, house of black lanterns sees richards develop his sound to incorporate the dub-inflected techno textures of rhythm & sound whilst nodding to the catchy, yet occasionally bleak floorfillers of trax, all inspired by the modern noir visual style of michael mann.

reverence paying homage to the beloved underground, a prime collective of neo-electronic architects spawn a quintessential four track vanguard. the greatest by drivetrain (detroit, usa) begins gritty and minimal, blossoming into a spectral orchestration of refined vocal samples fused with melodic pads and acid bleeps. the heavy bass line and pounding rhythm keep it moving mercilessly. cloudmaster weed (meaux, fra) utilizes the vocal stylings of goddess stephanie on the raw and sultry >sweet & delicious<. the seductive groove lays the perfect groundwork for a goddess to dream on some of her favorite pleasures. rennie foster (vancouver, can) makes a strong return to soiree with the prolific, deep-tech, > low boxing<. a clever amalgamation of silky vocal samples dropping amidst heavy syncopated acid. lush pads provide the final polishing. j.garcias (detroit, usa) >lost< serves a commanding conclusion. the throbbing rhythm drives alluring female vocal samples thru an infectious late night sizzler. reverence – an absolute and authoritative tribute

in the great tradition of count ossie, four new grounation furies - hypnotic, thunderous, urgent, mystical - with dubwise repeta, funde and bass drums embedding the light of saba veterans gorgeous trombone classicism.
the opener is a rocking kumina rhythm, with ring-the-alarm metal percussion and exhortatory brass, free the people swirls some apocalyptic reasoning into the foggy, thumping mix. universe in crisis is another emergency call, chuffing headlong down the grooves ... before the beautiful, anthemic chant takes a step back from the fire, closing with a sense of thankful, spiritual reconciliation, the expert drumming and lyrical bone-work in full effect.

trx is an exclusive collection of tracks that spot light the unknown and uprising producers featuring on a brand new compilation titled traxx. they bring us old school techniques against some clever bass manipulation to give us their interpretations of the original new york and new jersey sounds.

son of sound is the current project of henry maldonado, a nyc house music legend. you may know him from his tenure in house 2 house in the early 90s, who released their records on strictly rhythm

uneasy me signals the first artist to feature original music on art of vengeance. australias electronic export, christian vance, delivers a title track with both tension and dancefloor romance. pursuing a restless path, the rhythm and melody come together like an intimate rendezvous caught in the headlights late at night.

amongst the mortals with its syncopated rhythm and eerie background sounds takes you on a slow walk among the mortals for sure and is nothing for the faint hearted. daughters of the everfire is yet another sinister track from valanx and with its hard bass sound beating the rhythm it takes you on a trip to the dark side. daughters of the everfire (yves de mey remix) is a strong rhythmic track were yves has pulled out all his skills of the hat to rearrange valanx original version.

we are proud to welcome kerri chandlers madtech imprint kicking off with the mighty waze & odyssey: pressed on blue vinyl.

enigmatic artists from eastern europe had a ace in their sleeve when they came out with the project of suburbs. they come up with the most mystical sound for their first ep on archipel under “plaeisii.” the strange classical texture swirl with a very lush rhythm that at first, appear to be extremely predictable but then, as you listen carefully, you get caught up on the most capturing pattern. the main song as well as amorf both are music for the soul and will be played in very special moment that will have people close their eyes to enjoy the shifting mood.

having marked himself out as a producer to keep an eye on with his previous releases on tusk wax, hot waves & glasgow underground we are proud to welcome lee webster to the local talk family.lee keeps it pretty much straight forward on all night vibes ep and delivers a neat package of four to the flour house tracks, bouncy with strong vocal hooks and memorable melodies all the way. punch a crocodiles wonky bassline, the airy chords in get lost, the vocal samples in wax your body and lean rhythm in all night vibes are all fine indicators of where lees real talent lies and makes him a great fit for local talk. sometimes simplicity is the key to make your tracks memorable and this young cat knows how to work it like that. local talk is talking to you!

welcome 2013 & stenny! congratulazione to his first solo record ever!

another 7 inch roots release from the archives, this time featuring mike brooks in conscious roots style on an up-tempo rhythm track, re-mastered at phat dubz studio prior to release and on the flip side a dj-style version featuring dennis alcapone & earl16. the single is supplied in a picture sleeve and on transparent vinyl.

closing monster !! >aquarela< has a fantastic melody that will remind you of balearic anthems. the track generates strong and powerful atmospheres with a true groove that takes you on a emotional journey. a >flush-draw< for the upcoming sunny season. oscar was right is an insanely infectious track. a steady deep groove and an effective rhythm join everything to make this a dance floor filler. sinnmusik is an anglo-iberian label based in lisbon and london. le début de tout is the first record by the portuguese dj duo bis boys please.

full reissue of the classic track on & on by jesse saunders, considered by many as the first house track. backed with the original rhythm tracks! big tip.

paradise club recordings are due to serve up another eclectic ep later this month – their first selection of what they have in store for 2013 – and it’s one that furthers the label’s trend of showcasing the many different styles at their disposal from their current roster.label stalwart jabru kicks things off with ‘last days of rome’, an aptly-titled cut that begins by traipsing through ambient swells and looms, only to then brew up a truly decadent, central dancehall rhythm.

ltd 200 copies! focused in the rhythm a new sound is coming. minds kept frozen, heads moving up and down confused into the smoke. time has stopped. music as nexus. expand our doctrine.

david flores surfaces as audio injection with no key ep, two slabs of pristine techno for the new year. after owning 2011 & 2012 with over a dozen releases as truncate, audio injection flexes some production muscle to put out a sound that’s as huge as it is hypnotic. the a side features deep thought, a seven-minute obsession around a short melodic fragment that speeds at 130 bpm through a paranoid passage of beguiling rhythm. the b side features title track no key, a demolishing groove that builds and breaks but never lets go. machined percussion and tonal beats carve their way through an arena-sized rabbit hole with detail and dimension.

the opener is a traditional jola rhythm, typically fast and energetic, with tuned, talking and kit drums swarming over a kind of skeletal downhome guitar, somewhere between blues and disco. the mboup brothers make a soaring, impassioned plea for an end to division and bloodshed in their casamance homeland. then a more deeply dug-in, spaced-out funk, edgily spun from a serer rhythm, underpinning mbenes reflective song about parental sacrifice. sama yaye, my mother. both with full instrumental versions.

vinyl only! played by move d
for this beginning of the year caramelo has picked up for you some fresh sounds coming from his labels boss kosme and his new talent from the followed scene of vienna: perrez. this 3rd ep has many influences as it is the spirit of the label. *love sensation* from perrez sounds like a house anthem, a very groovy track with this never-ending piano and the fabulous voice of lh! his 2nd track *de l ame* is made with all his vibrations and his emotions for music, straight to the danceflloor with this funky bass and deep elements and of course: what a rhythm! on the flip, the lyons most wanted dj and producer kosme show here his house and dub sides. you can feel the beauty of kosmes house dub on *bonobo house* with also those synths used to bring this track on the heaven! *bear with a beard* is a house track with a touch of indus groove and a rhythm who made you slave of it!

weve got the two titans teaming up once again on eternity, and there is no letting up as the cyclic sensibilities and swirling pads engulf the unsuspecting listener, letting the crackling rhythm section lead the way to the intense breakdown, reminding us exactly of who we are listening to. subtle details add to the grandiosity of the whole affair, and yet another lesson in anthem-construction has been delivered by the two masters.

nice price deal !!! lace curtain is james, david & mikey from total control, rat columns, rank/xerox, eddy current suppression ring et al, exploring an electronic world of pleasure, frustration and sadness. bedroom dancers, synthetic singers, basement kicks in a romantic void. influenced by the germans, the italians, pale british button pushers, glamorous alien pop futurists, mid-western sweat, nyc disco dreamers, undercover kings and queens escaping a dull grey world with rhythm and noise, sound and vision

rhythm and melody, the beat and the bass - thats what proper club music is all about. and with current chihouse revivalists galore, its really hard to come up with something really true to the roots, and brilliantly fresh at the same time. recognition recordings, run steadily by jacek sienkiewicz, polands true visionary of contemporary club beats in a world of post-techno, passes its 30th release with this four-track marvel of an ep by one chino

the blaxploited orchestra aka larakki with norm talley and s3a! slow town records is making a flying start with its first 2 releases!

the second part of alan backdrops excursion-series comes with two extended and very personal tracks. with this two musical journeys, inspired by early 90s robert hood techno, crispy rhythm&sound elements and refreshed with inspiring ambient sounds and broken dubstep beats, he goes ahead building up his own musical signature. pure rhythmic soul confessions!

embodying the spirit that has imbued apollo with a fresh lease of life since last years rebirth, jack lever aka bering strait channels a wealth of electronic influence on his debut ep, applying his own natural sense of rhythm and production talent to create purposeful and emotive music.

elon make with the diy vibes on the smart ep. fans of live jam releases, listen up! on the title track sharp cuts, tight bursts of sound and loose percussion combine into a complex rhythm that is kept in check by a nice tumbling bassline.

crystal mazes album debut is a murky acidic analogue trip with multiple moments of melodic optimism. the long player is called *enter the maze* and features ten tracks on a double 12 inch package with full artwork in limited quantities.
italian producer marcoantonio spaventi and dutchman gijs poortman aka g-string are also known for their work together as part of r-a-g collective alongside m>o>s recordings boss aroy dee. crystal maze debuted on label adepth audio in 2011 with a self titled ep before gracing paul du lacs fledgling rotterdam based label bio rhythm with the dissolve ep in 2012.

vinyl only release, limited to 250 numbered copies.
noel jacksons hypertone drops this banging 4 tracker from up & comer flystereo! the title track is a sweeping groove with great low end. contact follows with a house rhythm & eerie muted bells. on the flipside, electra brings an airy dubbed out feel while remains kicks up the energy for dancefloor heat!

portuguese troia phonograph kicks off 2013 with a stunning release. pedro goyas music is well known for his past releases on such labels as classic music company, music for freaks, brique rouge, exun, om. the approach is slight different this time (if you are familiar with pedros music). refined, full and risky, that is how we would name it. both tracks are long stories that keep you interested all the way. impressive sound signature, bouncy basslines, tight rhythm section and soul all around turn this record into something that cannot be done by accident or randomly. this is how a deep house record should sound.

the famous >warung< and >d edge< club resident and three times best brazilian dj voted paulo boghosian & torquato make the follow up on the new cecille imprint cic records. the ep starts with the massive >fragments< track, crowing synthesizers evolving into talking vocals. ruff but still moody coming the two versions of >silence & rhythm<. great atmospheric tracks with a special touch of deepness and intensity. the second one on the flip is called >whitegen<, mixed deep and tech house at its best

the small, exquisitely formed take records maintain their reputation for tracks that elegantly live their life on the peripheries of house and techno with this release from one of the labels co-owners, rick grant, and a fine cabal of remixers. the west london-based producers original mix adopts the full widescreen effect, cascading deep bass throbs and a trembling metallic clatter across a ponderous 2-step click. consequences reworking wires in some heavy-ass sub-bass transmissions and a rapid-fire hi-hat rhythm, before jack dixons late-night submission takes a clockwork 4/4 tempo and bolts a springy, low-slung bassline to it, accompanied by layers of velvety synth patterns. crossing is an ep of uniformly consistent quality, where texture and atmosphere take the spotlight.

one of the biggest human resources consists of getting possession of ones own ego, carrying it through a path made of liberty, movement, rhythm and communication: soundpark wants to be a part of this and offers something different, to discover.
the fourth vinyl release on this surprising label from italy is delivered by stefano lotti and edunetto. it also includes three remixes of dave manuel, daniel sanchez as well as el mundo & satori. this ep explores different styles and has already received early support by some important djs and media around the world. enjoy this one and stay tuned for more smashing releases on soundpark.

deep&disco recordings presents chicago-based band the right now with *call girl*, a gritty piece of live retro-soul with a package of varied and unique mixes. the a-side kicks off with hot toddy turning the funk up a notch in his characteristically musical way, in a mix that layers new live elements over the original and builds to a dazzling peak. following that is the original version: a straight-to-tape recording of the band with lush keys, tight rhythm section grooves, horn stabs, and vocals that drip with soul. then on the b-side, dicky trisco turns in a deep and dubby late-nite disco burner, and label head jkriv takes the tune into old-school house territory with thumping 909 drums and bouncing piano stabs. early dj support from kon, 6th borough project, lovebirds, ooft!, jacques renault and more.

agile recordings cat. n. agile015 artist, uto karem title: wherever the bass takes me uto karems double dose of juiciness keeps the bounce going and the rhythm rolling while justifying the eps title in full.

anton kubikov, for more than a decade well known as half of scsi-9, delivers with his solo debut a killer twelve inch for pro-tez records. limited to 300 copies, it is a reduced 4/4 dub vapored ep that unfolds into a blissed out session and sounds like a cross between chain reaction s fluxion and rhythm and sounds more bass-heavy emissions. dub techno heads listen up!

what if time does not matter? welcome to the world of jonas saalbach, where nothing is solid but the rhythm of the base. we are drifting between synthwaves and nested melancholic melodies, between hazy vibes and spare used dark vocals and we call it >nika yumi<. this one is a brilliant number from a producer-youngstar, which strandet in berlin with a big smile and many dreams in the backage. so here we go with his first release on einmusika recordings. >next< - the second track on the ep, is an exotic odyssey in times of vocal- and deephouse, because this number is technoid, minimal and unimagined. >cave< can flip a good party into a great one in the space of six glorious minutes. the bendy baseline is catching everybody and the track is full of cosmic synths. and after this trip you surely need a bottle of water and a melody which picks up this feeling underlined with dreamy synth motifs and a kind of woozy bleeps. okay. so where we are? what time it is? whatever you can repeat everything.

with its non-placed devices and hard-to-pin-down aesthetic falling between electronic and psychedelic music and the warm-hued sounds of traditional acoustic instruments, burnt friedmans zokuhen,produced exclusively for vinyl, may be considered an extension of bokoboko. on this new double ep, too, the music focuses on uneven rhythms that dictate the groove for all the participating musical elements and display a formal logic to which all the instruments gladly succumb. with its even rhythm and proximity to dub reggae, the track kon ki (c2) shows that exceptions from the rule are permitted among the six new tracks and two re-worked bokoboko themes that round off this follow-up.

overs and skaters, come one, come all because frank & tony are back for their the third ep in the >frank & tony presents… < series on scissor and thread. this time the boys search for affection has lead them to their first collaboration with their label mate, the mysterious… in a sexy way… black light smoke! breath game delivers twelve plus minutes of tantric rhythm thats sure to spur your urge to merge. on the flip corbu returns for an indie-minded acid-tinged get down made for filthy frothy fun.

vinyl only! three protagonists of the best italian dark techno scene: fabrizo lapiana (labels owner) made the original track. dark atmospheres, devastating rhythm combined with anxious sounds, very high quality of functional techno. giorgio gigli (electric deluxe, zooloft, m_rec ltd) creates a hypnotic version and incisive as only he can do. ness (dynamic reflection, m_rec ltd, informa records ) has in his remixes, his best quality: visionary atmospheres, spatial and mental.a vinyl that will surely become a masterpiece!

vinyl only ! after a break render obedience is back. a side comes from valeria croft /russia/. make me good is classic filter house track with strong rhythm and groove. b side comes from adrianho and azteca /romania/. neverending dream is powerful tech-house burner with massive bass line and remarkable breakdowns.

after the excellent re-issue of yagyas classic rhythm of snow album, we are proud to present the first 12inch release for the label.

the house duo who have released music on classic, om, icon, etc drop this 3 track ep on four play music. my family takes on the a-side with their signature jazzy, soulful sound. ocean drive is an uptempo cut with a hot rhythm & keys. like there s no tomorrow ends with a serious groove.

brooklyn synth/post punk outfit brings this ep to the lectric sands label. colors brings a raw guitar, deep synth bass, & a sassy dadaist vocal. cities of the plain is a more minimal cut with a chiming rhythm that is followed by the reporter is a plant. zoovox takes side b with a remix.

at sound camp south asia jackmate worked together with asvajit, one of sri lankas most talented producers. several tracks have been worked out and we are proud to present the first two here on phil e! waran dub is a stellar piece of dub-techno catching the relaxed atmosphere of the island with it s lush synthworks and a bass-heavy rhythm-track. teahouse jam on the other side is a percussive jam with jazzy counterparts and moist field recordings. thanks for purchasing a real copy!

sev dah makes his debut on komisch with three unique club tracks. the mysterious producer has been making waves with releases on naked index and gynoid, but he has reserved his most individualistic music for komisch. lead track otit revolves around a surging, powerful bass and subtle metallic percussion. its a prelude for a doomy synth line that gives the track an intangibly eerie feeling. on the flip, disciple is led by heavy claps and a more stepping rhythm, but the lunging bass and eerie synths ensure that itll have maximum impact in a club. >tension< also travels a less obvious route thanks to its offbeat rhythm. but its beats are stomping and the dark, churning filter, coupled with sev dahs haunting synths, means its getting support acoss the board

this will be a special eclipse release. one of the most valued and respectable dub techno artists atheus decides to stop producing dub techno tracks to explore the most introspective soundscapes of ambient and drone music, and this will be his final step into dub techno music. he needs no introduction, a bunch of stunning tracks speak for himself. his inspired music has been released on labels such as styrax and million of moments , probably one of the best dub techno producers alongside deepchord and fluxion in the basic channel legacy. the record consists in two original tracks and one remix. the title track das ende its a proto-dub painting where rhythm patterns are made by a mixture of pulsating bass frequencies, reverberated hi-hats, delayed stabs and weird effected voices. a well done mix of sounds brings the dub style forward to unconventional and more experimental paths. hypno chamber its a typical atheus dub track with all the elements in the right place. deep fat sub-bass and delayed chords textures worked together properly as always with taste and skills. a special release remixed by the special and talented young producer decoside. he worked the main theme das ende exploring the deepest side of his incredible skill in shaping sounds...

fantastic reissue of two highly sought-after disco gems from canadian indie label attic. first up is sparkles awesome and very rare piece of jazzy disco-funk >disco madness< from 1979. a soaring high-voltage killer of a tune, it sports a pacy bassline supported by high-quality breaks and über-funky guitar riffs. flip over for the great que tal america!< from two man sound who despite hailing from belgium managed to create this monster latino classic. seamlessly fusing samba, jazz, bossanova and disco, this record was a huge underground anthem in new york back in the 70s. with its immensely funky salsa grooves and fabulous rhythm combo, you can understand why this track has been sampled to death. unmissable disco at its finest - sheer class!

new years deal - after recording tapes & cd-rs at home since 1994 in france, the first release of violence fm on vinyl appears tardily on mathematics recordings in 2009. in 2010, he has released a amazing ep on the french label premier sang that reminded us the work of the detroit pioneers especially derrick may & the genius of new wave new order. rhythm playing and drum-machines programmings, editing, mix and mastering, his compositions are often inspired by tribal spirits, organic deep bass and melodies, oscillating beetween smoothie and energy, or both.